The artist was born and raised in a small Siberian village, formerly a settlement of Tatar yurts, in an environment shaped by the coexistence of diverse cultural and religious traditions, including Orthodox Christianity, Islamic practices, and the ornament
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The artist was born and raised in a small Siberian village (former Tatar yurts), in an environment shaped by the coexistence of diverse cultural and religious traditions, including Orthodox Christianity, Islamic practices, and the ornamental visual languages of the peoples of the North. This context formed a perception of reality as multilayered and non-hierarchical, where different temporal, cultural, and spatial dimensions coexist without being reduced to a single narrative.

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