I work with software and 3D scanners alongside traditional manual modeling of the nude from life.
I push my work to a point of extreme deformation—beyond which the object is no longer recognizable—stopping just a moment before collapse.
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I work with software and 3D scanners alongside traditional manual modeling of the nude from life.
I push my work to a point of maximum deformation—beyond which the object is no longer recognizable—stopping just a moment before total collapse.
This aligns with my conception of life and time.
I love anything that evokes a sense of space, vertigo, and vastness, taken to its extreme limit.

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