Born in Rome, I grew up in the artistic environment of my mother, Gisella Meo, from whom I learned a deep love for materials and artistic supports.

My studies in political sciences and my experience in the field of international solidarity fostered my interest in social issues, while my own perspective shaped the irony and self-awareness through which I observe the world around me. I work within the fields of conceptual art and visual poetry. I use photography and writing as tools for the transfiguration of reality, employing photographic assemblage and collage techniques, with a particular affinity for the poetics of the objet trouvé.

In May 1998, I presented my first work as part of the retrospective exhibition of Gisella Meo at the Museo della Donna of Villa Mazzucchelli (Ciliverghe, Brescia). Subsequently, I participated in the artist’s book exhibition curated by Alba Savoi and presented by Ivana D’Agostino within the thematic program “La città, argini e margini” at Arte in Transito Gallery in Rome, and in the multimedia exhibition “L’infinito è finito?”, curated by Tomaso Binga, Vilma Costantini, Mario Lunetta, and Giuseppe Neri at the Lavatoio Contumaciale – Archivio Menna/Binga, Rome.

From this point, I began a research path exploring the relationship between language and image. Encouraged and supported by Mirella Bentivoglio, I took part in several important initiatives, including, in 2004, the Mostra dei segnalati, curated by the association “La Proposta” and presented by Mirella Bentivoglio at the Museo del Sannio (Benevento), and in 2009 the exhibition “Roma souvenir – la città e il verde – Idee per una collezione”, curated by Patrizia Rufini and presented by Mirella Bentivoglio at the Art Gallery of the Portuguese Institute in Rome.

In June 2007, I inaugurated my first solo exhibition in Rome at the gallery of the cultural center La Cuba d’Oro, directed by Nella Giambarresi, with an introduction by Carmine Mario Muliere.

With the cultural association Stelle Cadenti, between 1999 and 2006 I participated in the annual Contemporary Art Exhibition curated by Mario Palmieri in the caves of the medieval village of Bassano in Teverina (Viterbo), as well as in a series of initiatives dedicated to peace and human rights held at the Forte Prenestino Social Center and the Pintor Hall of Carta magazine.

Between 2015 and 2017, I took part in three editions of Il cadavere squisito, curated by Virginia Zeqireya, and in the group exhibition Let it Paint at Tevere Art Gallery in Rome.

In 2015, I began a dialogue with art critic Giorgio Di Genova, who invited me to participate in several exhibitions curated by him, including Generazioni a confronto (2015, Palazzo Sforza Cesarini, Genzano di Roma), Percorsi d’arte in Italia 2016 (Mitreo di Arte Contemporanea di Corviale, Rome), Mostri e mostruosità (Palazzo Orsini, Bomarzo), and Prospettive del Terzo Millennio (2017, MACA – Museum of Contemporary Art of Acri).

Within the cultural activities of the Artinarte association, I participated in numerous exhibitions between 2015 and 2019, including INSIEME: DONNA and La fragolina d’oro (Palazzo Ruspoli, Nemi), Dialogo nel mondo del Contemporaneo (Forte Sangallo, Nettuno), Art in the Box – the first exhibition of boxed art (Scuderie di Palazzo Ruspoli, Nemi), Mater Mediterranea (Great Mosque of Rome), Ritmi e cromie delle acque curated by Laura Turco Liveri (former Cartiera Latina, Rome), and the exhibition-events Anima-li, Scienza e coscienza – messaggi utili all’umanità, and La diversità del femminile (Mitreo di Arte Contemporanea di Corviale, Rome).

I have participated in numerous mail art exhibitions, including La città, argini e margini (1999, Sermoneta), the Gezelle project curated by Guy Bleus (Cultural Center of Bruges, Belgium), Attaccar bottone and Variazioni sulla Gioconda (1999, Il Gabbiano Gallery, La Spezia), the First International Mail Art Exhibition City of Ceuta (2004), The Artcard (2005, Sharjah Museum of Contemporary Art, UAE), Scents: Locks: Kisses organized by Guy Bleus (2006, Z33 Art Center, Hasselt, Belgium), Between Church and Sky: Invent a Background (2006, Varigotti), Andata e ritorno curated by Eraldo Di Vita (2007), Assaggi d’arte – le differenti anime del cibo (2016, Palazzo Giustinian Morosini, Venice), and the international mail art exhibition Possible Worlds curated by Galleria Vittoria (2017, Palazzo Caccia Municipal Museum, Sant’Oreste).

I have also exhibited at SESC Gallery in Copacabana (1999), the Museum of Contemporary Art of Matino (2011, Lecce), and at Museo Nori de’ Nobili in the group exhibition Oltre il collage, curated by Simona Zava and Giorgio Bonomi (2023, Trecastelli).

I was included in the traveling museum project Quadratonomade, curated by Donatella Pinocci, Donatella Giordano, and Arianna De Blasi (2010), and in the first edition of the Brescia International Biennial of Contemporary Art (2011).

My works are included in the Museo dell’Informazione in Senigallia, the international anthology folder IZ6 (published in The Hague in September 2010 in 26 copies by G. J. De Rook), the international archive Mailartmeeting Archives in Castel San Pietro Terme (Bologna), curated by Anna Boschi, the Spazio Museo Vespa Bici & Baci in Rome, Museo Nori de’ Nobili in Trecastelli, the Mail Art Museum of Montecarotto, and in several private collections.

In June 2024, I inaugurated a solo exhibition at Jey Jazz Club in Rome titled Volta la Carta, connecting my works with well-known ballads by Fabrizio De André performed by the tribute band Frammenti De André. In October 2024, I participated in the ninth edition of Rome Art Week with the exhibition Realtà a soqQuadro at Galleria Il Polmone Pulsante, Rome.

In June 2025, I participated in the group exhibition La Bona Dea, curated by Laura Turco Liveri at Spazio Cupra (Rome), and in the group exhibition Tecart6 at La Vaccheria Cultural Space (Rome). In September 2025, my work was included in the event La rotta di Enea, organized by the association Venere Venus (Ardea, Rome), and in the project Contaminazioni artistiche by Paola Mara Tancredi, exhibited at Galleria Artheka 32 during the exhibition Angeli (Ostia, Rome).

In November 2025, I participated in the group exhibition Déjà vu at Galleria Sottosopra Art Studio, Rome.

In January and March 2026, I took part in the group exhibitions I Love Mini and Sottosopra #2 at Galleria Sottosopra, presenting in two distinct moments Il Quadratino Verde, an experiment exploring interaction between art, writing, and psychotherapy.