Eleonora Giorgi (Rome,1974), an artist and art educator, trained at the Academy of Fine Arts in Rome. During her academic studies, she deepened her understanding of pictorial language, notably by revisiting ancient painting techniques. She graduated in painting with a thesis on the work of Alfredo Pirri; she subsequently served as his assistant for several years, a valuable experience that enriched her artistic and professional development.
Her work combines artistic research with a commitment to art education. Over the years, she has participated in various group exhibitions, favoring independent local venues. In 2017, at the Interno 14 space in Rome, she presented her first solo exhibition, *Summa in Aqua* (curated by Helia Hamedani), showcasing series of works defined by distinct color themes and arranged across separate areas. At the opening, musician and conductor Damiano Giuranna performed violin pieces composed during her studio painting sessions, translating the artist’s gestures and the evolution of color on the surface into a musical language. Giorgi explores the relationship between color and sound, emphasizing the rhythmic and musical dimensions of the painting process. She currently lives and works in Rome, continuing her artistic research in her studio in the Monteverde district.
Her artistic journey stems from a need to explore color in its expressive, fluid, and vital nature. Gesture and movement accompany the flow of color, driving a deliberate, process-oriented approach to painting. Water serves as the essential medium through which color comes to life, leaving infinite traces on the paper that hover between order and entropy. This artistic inquiry explores the relationships between two or three colors at a time: two engage in a dialogue, akin to a musical interval, while one serves as a welcoming backdrop, like a harmonic tone. The works thus investigate the potential for interaction and convergence among the chosen colors, initially through small-format series such as “Variazioni sul tema” and subsequently through larger-scale series including “Intervalli”, the vertical “Notturni”, and “Diving into the Colour”.

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