The artist’s practice, from a feminist perspective, questions the boundaries of the body, the meanings imposed on female identity, and the artificial separations these meanings produce. In her works, the female body is not merely an object; it appears as a living space containing thoughts, colors, and infinite possibilities. Throughout history, the body has been turned into an obstacle to women’s ability to live their identities freely, into a mechanism of social control, and into a commodity. The artificial division between body and soul has generated imposed identities, entrenched stereotypes, and an invisible system of exploitation.
Through collage, the body is fragmented, reconstructed, and re-contextualized. This process of breaking apart and reassembling produces a critique of the patriarchal gaze and the commodification of the body, while at the same time announcing the possibility of new forms of existence. The body emerges as both a critical and hopeful space: a site of resistance to patriarchal objectification, and a reminder that a freer, more inclusive, and more equal condition of existence is possible.
This exhibition seeks to expose the invisible exploitation of the female body, to question stereotypes, and to remind viewers of the possibility of a freer, more inclusive, and more equal existence. By unveiling the inequalities normalized by habit, it opens a space for new awareness and imagination.
The artist’s practice, from a feminist perspective, questions the boundaries of the body, the meanings imposed on female identity, and the artificial separations these meanings produce. In her works, the female body is not merely an object; it appears as a living space containing thoughts, colors, and infinite possibilities. Throughout history, the body has been turned into an obstacle to women’s ability to live their identities freely, into a mechanism of social control, and into a commodity. The artificial division between body and soul has generated imposed identities, entrenched stereotypes, and an invisible system of exploitation.
Through collage, the body is fragmented, reconstructed, and re-contextualized. This process of breaking apart and reassembling produces a critique of the patriarchal gaze and the commodification of the body, while at the same time announcing the possibility of new forms of existence. The body emerges as both a critical and hopeful space: a site of resistance to patriarchal objectification, and a reminder that a freer, more inclusive, and more equal condition of existence is possible.
This exhibition seeks to expose the invisible exploitation of the female body, to question stereotypes, and to remind viewers of the possibility of a freer, more inclusive, and more equal existence. By unveiling the inequalities normalized by habit, it opens a space for new awareness and imagination.
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